"Though I think my employment in life [university student] gives me peculiar advantages, in some respects, with regard to religious knowledge; yet with regard to having a practical sense of things on the mind, it is by far the worst of any. For the laborer, as he drives on his plough, and the weaver, as he works at his loom, may have his thoughts entirely disengaged from his work, and may think with advantage upon any religious subject. But the nature of our studies requires such a deep abstraction of the mind from all things, as to render it completely incapable of anything else, and that during many hours of the day." -- Henry Martyn
A boomer apologizes, albeit without much clarity.
"It is not meet to take the children's bread, and to cast it to dogs," Jesus said; Matthew 15:26.
I recently understood that I am spending my life in rebuilding spiritual and practical foundations that had been foolishly undermined by previous generations.
Several months ago I was reading a nonfiction book by Christian author Paul Tournier, and made it about three-quarters of the way through before being drawn away to other things.
When I picked it up this last week and finished reading it, I found references to about a dozen Bible passages that had come up in my daily Bible readings in the interim, mostly obscure Old Testament personages with a variety of afflictions; Tournier was a Swiss doctor famous for connecting his Christianity with his medical practice.
I also read a Christian fiction book this last week: Deadline, by Randy Alcorn. One day, what I read in the book mirrored my morning Bible reading on that same day.
"A work of creation was three-fold, an earthly trinity to match the heavenly; the Creative Idea, timeless and passionate, which is the image of the Father; the Creative Energy, begotten of the idea and working in time, which is the image of the Word; the Creative Power, the meaning of the work and its response in the individual soul, which is the image of the indwelling Spirit."
-- P. D. James, summarizing Dorothy L. Sayers' description